Tuesday, November 12, 2013

Circus World #36

Circus World #37




Circus World #38



. . . conducted under the watchful eye of the Duke himself.

Circus World #39




Circus World #40



But even before the opening spec has been completed, a fire of unknown origin breaks out and begins consuming the big top. (When DeMille made TGSOE, he was strictly forbidden by Ringling’s management to show a circus tent burning, memories of the Hartford disaster still being fresh in everyone’s minds. The producers of CIRCUS WORLD were under no such constraints.)

Circus World #41



Here, John Wayne’s stunt double pretends to rescue Rita Hayworth’s stunt double. (Rita’s character had gone aloft in an attempt to cut loose the canvas from the bale ring.)

(TO BE CONTINUED)

Rhions #1 (From Mark Rosenthal)

Rhinos #2

Rhinos #3

Rhinos #4

To Jackie LeClaire




Know any of these guys?

Monday, November 11, 2013

From Frank Murray

World War One: The circus animals that helped Britain

Lizzie the elephant with handlerLizzie the elephant became a regular sight on the streets of Sheffield during World War One
As war raged during World War One, the military purchased most of England's horses and sent them to the Western Front. Many farmers and traders had to find alternative beasts of burden, but none more exotic than elephants.
On the cobbled streets of industrial Sheffield an Indian elephant dutifully lumbered along.

“Start Quote

There's a war to win and quite frankly we would be using all the tools and equipment we had to hand, including elephants”
Steven BroomfieldBlue Cross
Her task was important - she had to cart munitions, machines and scrap metal around the city, a job previously done by three horses taken off to war.
Lizzie - as she was known - was used to performing tricks as part of a travelling menagerie.
But with the outbreak of World War One she was conscripted to help with heavy labour, fitted with a harness and sent to work at a scrap metal merchants.
However, she was not the only exotic animal working in Britain.
Camels, most probably from the same menagerie as Lizzie, were also used in Sheffield to pull heavy loads.
And in Surrey, elephants from a nearby circus filled-in for absent horses, ploughing fields and transporting hay.
But how useful were these circus animals to the war effort? And what did people in rural and industrial Britain make of their new co-workers?
Horses pulling artillery in the SommeHorses bore the brunt of much of the heavy work during World War One, including pulling artillery
The Word's Fair newspaper first chronicled Lizzie's appearance in February 1916, noting the "great dearth of carting facilities in Sheffield" had led to her being "pressed into service" from Sedgewick's menagerie.
It read: "Last week it was seen striding along with ease drawing a load of iron to a munition works.
"The weight of the load was equal to that usually allotted to three horses.
"Some passing horses were startled by this unexpected 'dilution' of their labour, and sniffed and shied as the elephant passed."

Animals in war

Animals In War Memorial, in Park Lane
  • Horses - An estimated 1.2m horses and mules were used by Britain during WW1
  • Pigeons - 200,000 were used as messengers in WW2. Of 17,000 parachuted into enemy territory, fewer than one in eight returned
  • Dogs - used to seek out mines and search for the wounded
  • Mules - used as transport in the Burmese jungle, with their vocal chords slashed to keep them quiet
  • Dolphins and sea lions - used today to find underwater mines and protect ships
  • Glow worms - used in WW1 as an aid for map reading
According to Sheffield amateur historian, author and illustrator, Clare Trowell, it was not known how she wound up at Tommy Ward's, a ship breakers and scrap metal merchant in the city.
"By 1916 most of their heavy horses had gone to the front," she said.
"Lizzie was an Indian elephant, intelligent and trainable - she would've been used to people because she was part of a menagerie.
"She would've have been traipsing up and down the streets where people lived, it would've been an odd image.
"She was quite a character - there's a story about her putting her trunk into somebody's window and stealing their dinner."
Lizzie was given a special pair of leather boots to protect her feet from the metal rubbish, which littered the ground at the scrap metal yard.
Little is known of her fate after the war, however, an expression "done up like Tommy Ward's elephant", which was used when somebody was carrying something heavy, has survived in the area.
There is also some evidence that she went on to work at a farm where the ground was more forgiving.
And it was this type of work that a group of elephants in the town of Horley, in Surrey, performed during the war.
Elephant ploughing field in Horley in 1926Elephants from Sangar's Circus were used to plough fields in Surrey
Alan Reid, from the Horley History Society, said: "You grow up thinking elephants are African or Indian animals - so seeing them wandering around Horley in World War One, would've been quite a shock.
"They were heavy animals and would have been very useful pulling ploughs and carrying stuff."
The Horley elephants were from Lord Sanger's Circus, which based itself in the area, when not travelling around the country.
They were used during the war to plough fields in the area and transport agricultural loads around farms.
"They were used for a practical purpose, but it was probably a good bit of publicity for the circus too," said Mr Reid.
Promotional poster for The Blue CrossThe Blue Cross helped care for horses injured in WW1
"About 30 years ago a bungalow was built where the animals were kept and builders found remains of what they thought was a woolly mammoth. The story was spoiled when they found out it was an elephant."
An estimated 1.2m horses and mules were used by the British Army during the war, with about 484,000 dying. During the war the Blue Cross, a British animal welfare charity, raised funds for their treatment.
Steven Broomfield, who is the manager at the Blue Cross' Victoria Hospital, said he was not surprised that elephants came in useful when so few horses were available.
"The horse was still the main way of moving things," he said.
"Most of the field artillery and lighter stuff was all horse drawn - the bulk of heavy lifting was done by horse power.
"They were much more reliable, didn't break down too quickly, were cheap to run and easy to mend compared to early trucks.
"It was not an easy life - an awful lot would've been killed by shellfire or disease.
"But there's a war to win and quite frankly we would be using all the tools and equipment we had to hand, including elephants."

Big John (From Bob Swaney)




A quintessential circus man. Seemingly all over the lot, he could do it all. In the off season, he produced wonderful Christmas stage shows that played from California to Nebraska.

From Chic Silber

From Chic Silber



 This is the Cutter Lamar (CGC 899)
I served proudly on this Patrol Craft Escort
although we never left the dock in Baltimore
After this shallow water service I taught at
the fire training center in Yorktown Virginia


 Semper Paratus

Happy Veterans Day!

Circus World #25 (From Eric Beheim)



At another circus . . . 

Circus World #26



. . . the camera first shows the building’s magnificent ceiling . . . 

Circus World #27



. . . before panning down to the steel arena. (Even though they take their circuses seriously in Europe, this building looks like it might originally have been built as an opera house.)

Circus World #28



Once again, there are frequent cutaways to Wayne & Co. while the act is going on. 

Circus World #29




Circus World #30




Circus World #31



(Using this nice close-up, someone should be able to identify the trainer.)

Circus World #32



Do you think that this is the trainer’s actual wife/assistant? (She later has some lines when she negotiates with Wayne backstage for her husband’s act to join Wayne’s proposed circus.)

Circus World #33



(TO BE CONTINUED)

Big John Strong #1

Big John Strong #2

Big John Strong #3

Big John Strong #4

Big John Strong #5



"Neena"

Big John Strong #6

Big John Strong #7



John Strong and Paul Van Pool.

Big John Strong #8



"Neena"

Sunday, November 10, 2013

Circus World #1 (From Eric Beheim)



2014 will mark the 50th anniversary of the premier of CIRCUS WORLD (the movie, not the Florida theme park.) CIRCUS WORLD opened as a road show attraction that played in Cinerama theaters on a reserved seat basis. (It even had its own souvenir program, which was sold in theater lobbies.) Some of its newspaper ads included the accordion fold Cinerama logo, even though CIRCUS WORLD was filmed and shown in the single lens Ultra-Panavision 70 format.

Circus World #2



In addition to Franz Althoff, the production team responsible for the circus sequences included Umberto Bedini and Bob Dover.

Circus World #3



CIRCUS WORLD starred John Wayne, supported by Rita Hayworth, Claudia Cardinale, Lloyd Nolan and Richard Conte. It was to have been directed by Frank Capra, but Capra bowed out after “creative differences” with the Duke and some of the Duke's personal entourage. It ended up being helmed by Henry Hathaway.

Circus World #4



Audiences found it hard to accept Claudia Cardinale, with her natural Italian accent, as the Duke's adopted daughter who was supposedly raised by him.

Circus World #5



Rita Hayworth (who was still a major star in 1964) has a much smaller role than her billing would suggest. (She was beginning to suffer from memory loss and her scenes were reportedly a trial to complete.) 

Circus World #6



Richard Conte was wasted in a role that was either badly written or left on the cutting room floor.

Circus World #7



Claudia Cardinale’s love interest was played by John Smith, a Wayne protégé of sorts who is best remembered for having starred in the LARAMIE TV series. Wayne had given him an early break in THE HIGH AND THE MIGHTY (which he had produced) and insisted that Smith be cast in CIRCUS WORLD. Following this film, Smith’s movie & television appearances became more and more infrequent and he finally left show business in the late 1970s. He died of cirrhosis of the liver in 1995 and you can probably complete the picture.

Circus World #8



CIRCUS WORLD gets off to a promising start with scenes showing John Wayne’s circus performing in America. (Unlike TGSOE, none of the acts or performers are identified in the film’s credits. Some of you undoubtedly know who they are and can enlighten the rest of us.)

Circus World #9

Circus World #10

Circus World #11

Circus World #12




Circus World #13