Lou Jacobs was the classic august clown who was best known for his motorized gags ranging from his midget car to a bathtub, hospital bed and speed boat. Bob
There is still argument on whether it is his face on the U.S. postage stamp. Officials claim they never use the face of a living person and since the stamp is a characteristic it doesn't break the rule. I was backstage the day the artist who created the stamp made drawings of Lou who took the whole thing in stride. Bob
I've never known the full story of why, but for some 2-3 years in the '50s, Lou toured with Polack Bros. They took full advantage of having him, featuring him by makeup and name on all their ads, including newspaper plants. Then, he returned to RB, as we know, until his retirement.
Read Fred Bradna's THE BIG TOP, for descriptive bios of both Lou and Otto, in the chapter "Crazy Acts--The Clowns".
In San Antonio, I found a bust of Lou in a downtown tobacconist's shop. It is the real thing, with his conical wig, rubber ball nose, and small hat. Someone had painted his makeup with grays and greens. Horrified, I bought it, took it home, and took weeks to re-paint his true makeup. It is an object of pride to have to this day. I heard years ago that busts of this type were also done for Felix Adler and Otto, so collectors would have Lou's Auguste, Felix's whiteface, and Otto's tramp, but I never found the other two.
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Lou Jacobs was the classic august clown who was best known for his motorized gags ranging from his midget car to a bathtub, hospital bed and speed boat.
Bob
His world famous face not only
became the "Face" of Big Bertha
but was also stolen worldwide
for a gazzilion other logos
He was revered as the master
by all who knew & worked with
him over his tremendous career
He mentored a thousand clowns
His 2 daughters have done him
proud in their achievments
There is still argument on whether it is his face on the U.S. postage stamp. Officials claim they never use the face of a living person and since the stamp is a characteristic it doesn't break the rule. I was backstage the day the artist who created the stamp made drawings of Lou
who took the whole thing in stride.
Bob
I've never known the full story of why, but for some 2-3 years in the '50s, Lou toured with Polack Bros. They took full advantage of having him, featuring him by makeup and name on all their ads, including newspaper plants. Then, he returned to RB, as we know, until his retirement.
In a similar vein Bob the
slick artsy fartsy clown
image that was drawn up
by an artist with 3 Ring
Advertising in the early
70s for Feld "suggested"
a version of Lou's face
It became the image we
put on both side panels
of the Venice Arena new
proscenium I designed &
built in 74
I'll put that image up
Read Fred Bradna's THE BIG TOP, for descriptive bios of both Lou and Otto, in the chapter "Crazy Acts--The Clowns".
In San Antonio, I found a bust of Lou in a downtown tobacconist's shop. It is the real thing, with his conical wig, rubber ball nose, and small hat. Someone had painted his makeup with grays and greens. Horrified, I bought it, took it home, and took weeks to re-paint his true makeup. It is an object of pride to have to this day. I heard years ago that busts of this type were also done for Felix Adler and Otto, so collectors would have Lou's Auguste, Felix's whiteface, and Otto's tramp, but I never found the other two.
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