the spec number was great, one of the best, with a big flashy payoff and of course Harold Ronk made the number with his dazzling baritone bravado--a dramatic finale to the first half! the score for this edition was one of Bill Pruyn's great triumphs; the scope and quality of this edition's productions set the tone and glamour standard for the next decade of Ringling shows, thanks in no small measure to Don Foote's genius; a side note about Don: he was one of the most genial, unassuming talents that you could ever work with--a joy...and a very funny guy--his sense of humor kept him afloat in a sea of stress, egos and deadlines; and his skills were tailor made for the circus and Irvin's vision. It was a good team and Don left us way too young.
4 comments:
Look at the gorgeous blankets! One on EVERY elephant - what a concept!
That's Bill's wife and a gifted musician too, Lee Pruyn at the organ in the foreground and drummer Archie Chan to her right.
OOPS! One blanket missing. Must have been testing the waters for the, Ken and Nicole era.
the spec number was great, one of the best, with a big flashy payoff and of course Harold Ronk made the number with his dazzling baritone bravado--a dramatic finale to the first half! the score for this edition was one of Bill Pruyn's great triumphs; the scope and quality of this edition's productions set the tone and glamour standard for the next decade of Ringling shows, thanks in no small measure to Don Foote's genius; a side note about Don: he was one of the most genial, unassuming talents that you could ever work with--a joy...and a very funny guy--his sense of humor kept him afloat in a sea of stress, egos and deadlines; and his skills were tailor made for the circus and Irvin's vision. It was a good team and Don left us way too young.
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