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Thursday, September 16, 2021
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7 comments:
These 2 images relate to a note
under "Aerialist #4) from Monday
In my stagehand daze at Lancaster CA Performing Arts Centre, I was sometimes assigned to run one of these. We had four in our booth. To get there, we had to climb through the rafters and beams of the ceiling, where all the theatre ghosts lived. Even in Educational Theatre, I had not been a lighting tech, but this job came as a baptism by fire.
"Frontlight" as the operators
of followspots are known even
to this day was how I started
in this business both Broadway
& Circus much the same job
Supers were dream lamps to run
ALWAYS A GOOD CALL TO GET. YOU HAD BETTER BE READY TO CARBON UP FAST WHEN THE SHOW WOULD HAVE ENCORES! WAYNE NEWTON WOULD ALWAYS DO IT AND THE PROMOTER OR HOTEL WOULD BITCH ABOUT THE OT.
Harry Strong who I met in my youth
was left handed hence his Troupers
& Super Troupers favored lefties
During my Coast Guard time while
stationed in Baltimore the BA of
the Stagehands Local 340 where
I was serving my apprenticeship
contacted John Tivvis the Local
19 BA reqesting he offer me any
calls during my liberal liberty
highly commending my exceptional
frontlight dexterity & accuracy
Even at 1964 rates those calls
easily outweighed my $87 monthly
Coast Guard pay
WELL NOW I KNOW WHY !!
My paternal step grandfather
Mike Vogel a charter member
of NY Projectionists Local
306 of the IATSE would take
me up to projection booths
as an 8 to 12 year old kid
where I learned to operate
35 millimeter projectors
& more importantly to me
how to change carbons both
safely & very quickly
This gave me a head start
when learning followspots
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