That night at the circus back in 1962 left
me with a burning desire to someday be one of the local musicians who were hired
to play for the Ringling Circus. Even
though my musical ability at age 16 was already quite “plucky and adventury,” it
took me another 14 years to gain the necessary professional experience and
technical ability to be able to play a Ringling performance. Playing for the circus is not
like playing for a dance job, a band concert, or a Broadway musical, and not
every musician (even some of the really good ones) has the knack for it. At first, the local contractor only hired me
to fill in for a performance or two to see if I could “cut it.” But, as Bill Pruyn used to say, “Luck is what
happens when opportunity meets preparation.” By the time the 108th
Edition (my all-time favorite) came to San Diego in 1978, I was a full-time
member of the local San Diego Ringling band and would remain so until Bill Pruyn
retired and the music (in my opinion) took a turn for the worse and playing for
the circus no longer held any appeal for me.
Speaking of that 1962 performance, just recently I helped
Don Covington transfer some old circus audiotapes from the Ted Deppish
collection onto CD-Rs for the Circus World Museum. In this collection was a recording of the
complete 1962 Ringling performance, which Ted had taped in the Cleveland Arena
only a few days after I had been there.
Hearing that year’s music again brought back a flood of memories. And this time, I was able to identify a great
many more of the musical selections than I could when I was 16.
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Sunday, December 07, 2014
1962 RBBB #14
Posted by Buckles at 12/07/2014 04:54:00 AM
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