Monday, August 24, 2009

1979 Ringling Aerial Ballet


1979 Ringling Aerial Ballet, originally uploaded by bucklesw1.

The 109th Edition’s aerial ballet was themed “Circus Can-Can, and had a turn-of-the-century Parisian flavor. Following a few bars of “La Mareillaise”, there was a medley of Offenbach melodies taken from “Gaite Parisienne.” Center-ring feature Marguerite Michele was introduced with “You’ll Find Me At Maxim’s” from “The Merry Widow.” Once the web girls were aloft, the music changed to the song from “Moulin Rouge” (sung in French by announcer-vocalist Kit Haskett!) The “hair hanging heroics” of Marguerite Michele were accompanied first by the finale from “The Merry Wives Of Windsor Overture” by Niccolai, and then by the finale from “Dance of the Serpents” by Boccalari. (Leave it to Bill Pruyn to come up with two old-time band numbers that fit the action perfectly.)

11 comments:

Mike Naughton said...

Note the break in the front of the ring curb of the center ring, this photo might have been "reversed" because the break (opening) would be in the back of the ring since the collapsible cage would be concealed in the ring curb.

The front track side of the ring curb would/should be solid, and since there is no openings at the farside of the photo it is obvious that the entrance to the floor would be at the lower end of the photo.

Just wondering.

Chic Silber said...

Unless the door was just out

of frame upper right (as in

the Garden and a few others)

As you know some buildings

have offset entrances

Chic Silber said...

Correction about the Garden

The back door is centered

(I was thinking about the old

Garden between 49th & 50th)

Chic Silber said...

Margarita Vasquez Ayala came to

the Beatty show when she was

16 or 17 (neice of Chatta &

Pablo Martinez) I see her and

Miguel once in a while and she

still looks great Her daughters

now do versions of her act

Eric said...

Mike is probably correct. This photo was most likely reversed when I scanned the negative. (View it through a mirror and it should appear properly oriented!)

Mike Naughton said...

The Garden has two "portals" (I don't like that term), one lead onto the back track and the other served as an exit on the front track.

Why can't we just keep the word "doors" or "curtain"' the word portal makes me think of a cruise.

Bingo on the Lido Deck, complimentary wine and cheese spread with Ritz crackers.

Chic Silber said...

Has the photo been reversed

Chic Silber said...

Yup Mike is correct as in the

original version (before the

reversal) there was no band

in the back end so it must

have been in the near end of

the backward photo

Gold Star Mike (10 points)

klsdad said...

Mike..Chic..et al..

Photo looks fine to me.

If we are in the current Garden, we are at the 8th Ave end "backstage" end of the arena. The entrance for the specs would be on the right lower side of the photo. (Individual acts often came in from the center aisle along the right side.) The exit would be on the lower left side. The "show side" would be on the left side and the open end of the rings are correct, facing the back side. I would think they would have continued this set-up for most arenas?

Not sure the question about the concealed cage being in the back of the ring curb? Now with the cages being flown there is not a problem.

Now Ringling uses a center procenium for most entrances and exits. I was concerned this year as at times the side blocking panels were left partially open so you could see backstage. Not good.

Regards..

klsdad

Chic Silber said...

Mike the word portal refers to

a structure such as a false

procenium or framed drape that

that would sit in front of the

doorway in this end of the biz

On a stage there can be many

portals that in most cases help

with side masking (often used

in conjunction with borders

and legs) most often are hard

As long as WE are still alive

there will always be the

BACK DOOR (even when it's soft)

and someone to watch it

Chic Silber said...

Mike I'll meet you at the

Midnight Buffet around 11

for the photo op