Durng our discussion of "rope walking" elephants, this is what Mr. Herriott meant when he referred to "walking the plank". This is a section of 8" channel iron that "Lydia" is turning around on. Mr. Rice might have used something like this 150 yers ago and gotten away with it.
You may note that by this time, I had been added to the family business as truck driver, prop hand and general all around goof. Here I am seen about to remove the plank which I might add was well received by the audience. This picture was taken on the Orrin Davenport Shrine dates. In the mid 1950's when the big dates were concluded and either the Ringling or Cole Show elephants had left. Mr. Davenport closed out his route with a smaller unit that included towns like Duluth, Winnipeg, Brandon, Regina, Saskatoon, etc. that moved across Canada by baggage car and which the elephants shared with acts like Joe Zoppe's horses or Jack Joyce's camels. This picture taken in Regina. The unique thing about this show was that it included all the feature acts from the big dates like Klauser's bears, Unus, Francis Brunn, Dorita Konyot, Lemke chimps, Helen Haag chimps, Victor Julian, etc. to my surprise, one year my dad and Count Roberto de Vasconcellos became big buddies. In 1956 we even had Merle Evans as band conductor. On the return trip each year, I loaded many cases of Canadian liquor into the baggage car from which Mr. Davenport would entertain his Shrine committees during the off-season.
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2 comments:
Thanks, Buckles, for the picture. I know that a plank or at least a double rope makes the most sense.
However advertising for "Dan Rice's Great Show" (his ex-press agent later expanded the then-famous label to "Greatest Show on Earth" for Barnum & Bailey) SPECIFICALLY promised that anyone attending a performance "will in reality 'see an elephant walk a tight rope' in the manner in which our artist has so faithfully portrayed," that is, Lalla Rookh walking on a single rope suspended a few feet in the air.
Of course circus advertising has never been a model of accuracy or truthfulness. For instance the illustration showed an elephant twice Rice’s height when in fact it was a small one, about his height. Also, when Rice boasted in 1858 that he "labored for years to make [Lalla Rookh] do it . . . after a long series of the most perplexing failures," he ignored the fact that a year earlier he gave credit to his animal trainer Charles Noyes.
However, insisting that the tightrope trick was done exactly as the often printed picture showed, Rice was throwing out a challenge that would get red-blooded Americans, and especially Rice's enemies, eager to prove him wrong. Yet in thousands of comments on Rice I dug up over years of research, I did not find a single complaint that this trick was a humbug.
Anyone who got bum-rushed, short-changed, or their pocket picked might gripe about anything, including the elephant act, but even then it would be foolish to deny a factual claim if everyone else saw it happen. It would be as if those who don’t like Ringling’s show went so far as to claim it has no horses. (It still has horses, doesn't it?)
Hi Buckles; These pictures from the Davenport show are especially interesting to me, as that was when I met Sonny Moore, in Winnipeg. One year in Winnipeg, Herta broke her leg, and Pat Moore had to replace her. You may remember that.
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