I never understood those side "boxes " Chic..Would they be just so you would be noticed more than the performance ? As you stated and what's obvious is the really limited view.
@ R in this shot, we see 2 other boxes--were sight lines any better for these further back?
Flo Ziegfeld turned down hopefuls who went on to major stardom. Rejects Norma Shearer and Joan Crawford later won Oscars. Lucille Ball towered as a TV star. Gypsy Rose Lee we know about. Eleanor Powell became among the most honored film dancers. Alice Faye hit it big at 20th Century-Fox, and Hedda Hopper wrote her vicious gossip columns.
Those winning spots on Mr. Ziegfeld's Follies included Marion Davies, Paulette Goddard, Joan Blondell, Barbara Stanwyck, and importantly for readers of this Blog, Anna May Wong.
Right and left can confuse newcomers. House right and left is the audience's as they look at the stage. Stage right and left are the actors' as they face the seats. But first-timers on film sets are often set up to be laughed at. When the director says, "Cheat a step to camera left", the actor steps to his left--when in movie work, it is to the camera's POV. The crew chortles at his error, when camera-left means step to his right.
Veteran showgirls laugh at First-of-Mays looking for their other left foot.
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When the curtain went up in June of 1913
it was the start of a brilliant new chapter
in the "New Amsterdam Theater’s" history
For the next 14 years The Ziegfeld Follies
was synonymous with “The House Beautiful”
featuring spectacular sets lavish costumes
and the biggest stage stars of the day
The main attraction was the long line of
beautiful chorus girls handpicked by
Florenz Ziegfeld for his musical extravaganzas
Sight lines from the house front boxes
are extremely limiting for seeing only
the apron & extreme far side of stage
Very limited view but mostly full price
I never understood those side "boxes " Chic..Would they be just so you would be noticed more than the performance ? As you stated and what's obvious is the really limited view.
Historically they were for Royalty
& other very high profile (rich) folks
It was a house right box where Lincoln
was unfortunately seated
Over the years they became additional
overpriced seating in what was otherwise
some unused spaces often last sold
In a very few cases they aren't sold
@ R in this shot, we see 2 other boxes--were sight lines any better for these further back?
Flo Ziegfeld turned down hopefuls who went on to major stardom. Rejects Norma Shearer and Joan Crawford later won Oscars. Lucille Ball towered as a TV star. Gypsy Rose Lee we know about. Eleanor Powell became among the most honored film dancers. Alice Faye hit it big at 20th Century-Fox, and Hedda Hopper wrote her vicious gossip columns.
Those winning spots on Mr. Ziegfeld's Follies included Marion Davies, Paulette Goddard, Joan Blondell, Barbara Stanwyck, and importantly for readers of this Blog, Anna May Wong.
Right and left can confuse newcomers. House right and left is the audience's as they look at the stage. Stage right and left are the actors' as they face the seats. But first-timers on film sets are often set up to be laughed at. When the director says, "Cheat a step to camera left", the actor steps to his left--when in movie work, it is to the camera's POV. The crew chortles at his error, when camera-left means step to his right.
Veteran showgirls laugh at First-of-Mays looking for their other left foot.
Almost none of the boxes had
descent viewing but some were
much worse than others
Would be perfect for the blind
By the way Roger did you ever
find the left handed crescent
According to a choreographer
I know very well many of the
dancing chorus have 2 lefts
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