Saturday, October 27, 2018

VENICE #2


6 comments:

Chic Silber said...


This joiint was kind of a clean slate

the 1st time I saw it but it clearly

had potential to support the circus

1st we eliminated the drab gray of

the entire interior by painting the

majority of it a deep blue

Then with some guidance from Don Foote

I came up with a rough sketch for a

proscenium back wall with an enclosed

multi level carpeted band platform

See the next few images

4pawfan said...

This main part of the building was taken from the shop building from the Sarasota WQ. The Quonset hut roof in the background was the train shed and the beams off the main building ( roof over the audience seating ) are from the roof of the grandstand/sail loft building. p.j.

Chic Silber said...


Where that curved roof rear section

joined the main structure thare was

a never ending fight to seal it from

inclement weather (not kind to Don's

fabrics & feathers)

Chic Silber said...


We also had ¾ inch poured & cured

in place Tartan Rubber squares to

eliminate the use of several types

of older nasty rubber covering for

all 3 permanent ring areas

Chic Silber said...


The side & front seating areas

were built on segmented ramps

hinged at the back with the

intent on being able to have

a trendous flat floor space

by raising all of the ramps

to accomodate conventions

& trade shows but that never

became a reality

4pawfan said...

It would not have been hard to put "L" shape flashing up under the tin of the side wall and have it lay flat on the roof. From what I understand, the show had no money and very little time to move all these buildings in 1960. p.j.