The Gaona family did the tramp act before going up high. It was the training ground for all those marvelous stunts that they created for the flying trapeze later on. When they were first with RBBB they changed the the name of the tramp to The Titos, I think they also used The Victors at one time. Richie would be able to set us straight on this one. ~frank
In 1964 on CBCB, the Gaonas did both the trampoline and the flying act. Tito was trying to perfect the triple and every once in a while he caught it. Bob Kitto
Guessing Richie would have been about six or seven back then. Victor knew how to create style and when it was the right moment for comic relief. It was that self-deprecating humor that endeared them to the audiences. Things like the zipper gag, or when Tito DOESN'T make the third grab on the catcher's swing, then just shrugs his shoulders and smiles. ~frank
6 comments:
Interesting that the Gaonas are
only shown as the tramp act & 2
other flying acts in that display
Chic -
The Gaona family did the tramp act before going up high. It was the training ground for all those marvelous stunts that they created for the flying trapeze later on. When they were first with RBBB they changed the the name of the tramp to The Titos, I think they also used The Victors at one time. Richie would be able to set us straight on this one. ~frank
In 1964 on CBCB, the Gaonas did both the trampoline and the flying act. Tito was trying to perfect the triple and every once in a while he caught it.
Bob Kitto
The Victors was the name of the
casting act that preceded the
flying act & they used the name
Titos for the tramp act on Beatty
as well Frank & Tito caught his
1st triple in Philly after he had
cleared the apron & crumpled into
the seats that same day Bob but
Victor made him climb back up to
the pedestal & he caught the trick
It was either 64 or 65 that they
put Richie in the tramp act in
a little white suit & after his
1st jumps stopped & zipped his fly
It brought the house down
Guessing Richie would have been about six or seven back then. Victor knew how to create style and when it was the right moment for comic relief. It was that self-deprecating humor that endeared them to the audiences. Things like the zipper gag, or when Tito DOESN'T make the third grab on the catcher's swing, then just shrugs his shoulders and smiles. ~frank
The event I mentioned in Philly
happened between shows and not
in front of an audience
There was no limit to how many
times Tito could bounce back to
the catch trap so he would adjust
based on several factors
The addition of well laced shock
cord arrays between the spreaders
on both sides & their poles were
the gimmick to this feat but they
did add a slight hazzard as well
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