Chic, I remember in the early 1960's on Clyde Beatty Cole Bros the light over Beatty's act was a number 2 tub with the safety net tied to it. This sure the heck beats the two by four criss cross fixture that Gopher used with small light bulbs in it. Harry in Texas
There is gorgeous multimillion dolar theater in Rochester built by the founder of Kodak. When it opened in the 1920's several light fixtures were missing and workmen put up washtub lights over the balcony - they are still there\ cc
I have a Beatty Cole light that Charlie Harris gave me the type they used in the marque. I use it in my Beatty Cole marque tent Johnny Pugh gave me for parties in the backyard. The marque is a Leaf made tent. Harry in Texas
Irwin Kirby was a real New York City man, whom I first met as I was working for RBBB in the winter of 1964, during my rodeo off-season.
Irwin moved to Nashville, when Billboard moved there and became Amusement Business.
He was not too pleased with life in Music City and moved to Miami, Florida to work for some kind of Showmen's entity down there.
He was replaced,as editor, by the legendary Tom Powell, who had previously worked for the "Tennessean" newspaper.
While at the "Tennessean", Tom had done a story on me clowning and fighting bulls at the Nashville Tommy Steiner World Championship Rodeo, also in 1964, but in the fall.
In later years, while at AB, Tom covered my years at RBBB and then my Ronald McDonald Circus.
Beatty's light tub also had CB front, back and sides, the letters formed in a diamond shape, like the CB inside the Big Top over the rings. The light tub initials were made by 3/8" holes expertly drilled.
The light tub I worked under for Castle was sturdy and well engineered, but its four headlights had one drawback--the shaft of light shone straight down like a flashlight, and lit a spot on the ring mat about 4 feet across.
Irwin Kirby was Editor of AMUSEMENT BUSINESS when I flew to Washington to present my paper and testify for the Animal Welfare Act of 1970. He met me at the Nashville airport and did a feature interview about my contributions, the law, and alas, the changing times that brought us this first law in the first place.
8 comments:
Some of my earliest circus light
hanging fixtures were developed
from wash tubs just like these
Chic,
I remember in the early 1960's on Clyde Beatty Cole Bros the light over Beatty's act was a number 2 tub with the safety net tied to it.
This sure the heck beats the two by four criss cross fixture that Gopher used with small light bulbs in it.
Harry in Texas
There is gorgeous multimillion dolar theater in Rochester built by the founder of Kodak. When it opened in the 1920's several light fixtures were missing and workmen put up washtub lights over the balcony - they are still there\
cc
TO CHIC!
I am blessed to have a set of "wash tubs" made by the late, great Carl Stephens.
NO SHADOWS !!!!, which I then supplemented with the more sophisticated lighting.
Paul Kaye does the same thing at the wonderful Evansville Circus!!!!
I made up 4 of them in the 1st go
3 hung centered over the rings
with fairly narrow pattern
reflectors & 1 was with wider
patterned reflectors for Beatty
as it hung much lower
When I brought them to the show
Irwin Kirby from Billboard (AB)
was there & did a story with a
photo of me with the lights
Primitive but practical
There just happen to be a few
similar looking fixtures at a
local seafood joint
I have a Beatty Cole light that Charlie Harris gave me the type they used in the marque.
I use it in my Beatty Cole marque tent Johnny Pugh gave me for parties in the backyard.
The marque is a Leaf made tent.
Harry in Texas
TO CHIC!
Irwin Kirby was a real New York City man, whom I first met as I was working for RBBB in the winter of 1964, during my rodeo off-season.
Irwin moved to Nashville, when Billboard moved there and became Amusement Business.
He was not too pleased with life in Music City and moved to Miami, Florida to work for some kind of Showmen's entity down there.
He was replaced,as editor, by the legendary Tom Powell, who had previously worked for the "Tennessean" newspaper.
While at the "Tennessean", Tom had done a story on me clowning and fighting bulls at the Nashville Tommy Steiner World Championship Rodeo, also in 1964, but in the fall.
In later years, while at AB, Tom covered my years at RBBB and then my Ronald McDonald Circus.
He now writes a regular column for the OABA.
Beatty's light tub also had CB front, back and sides, the letters formed in a diamond shape, like the CB inside the Big Top over the rings. The light tub initials were made by 3/8" holes expertly drilled.
The light tub I worked under for Castle was sturdy and well engineered, but its four headlights had one drawback--the shaft of light shone straight down like a flashlight, and lit a spot on the ring mat about 4 feet across.
Irwin Kirby was Editor of AMUSEMENT BUSINESS when I flew to Washington to present my paper and testify for the Animal Welfare Act of 1970. He met me at the Nashville airport and did a feature interview about my contributions, the law, and alas, the changing times that brought us this first law in the first place.
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