Harvey Phillips, a Titan of the Tuba, Dies at 80 Mr. Phillips conceived the “Tuba Christmas” concerts at the Rockefeller Center skating rink.
The tradition began in 1974, the brainchild of Harvey Phillips, a musician called the Heifetz of the tuba. In his time he was the instrument’s chief evangelist, the inspirer of a vast solo repertory, a mentor to generations of players and, more simply, Mr. Tuba. Most tuba players agree that if their unwieldy instrument has shed any of the bad associations that have clung to it — orchestral clown, herald of grim news, poorly respected back-bencher best when not noticed, good for little more than the “oom” in the oom-pah-pah — it is largely thanks to Mr. Phillips’s efforts. He waged a lifelong campaign to improve the tuba’s image. Mr. Phillips died on Wednesday at his home, Tubaranch, in Bloomington, Ind., his wife, Carol, said. He was 80 and had Parkinson’s disease. Like many towering exponents of a musical instrument, Mr. Phillips left a legacy of new works, students and students of students. But even more, he bequeathed an entire culture of tuba-ism: an industry of TubaChristmases (252 cities last year) and tuba minifestivals, mainly at universities, called Octubafests. “The man was huge in putting the instrument on the map as a solo instrument,” said Alan Baer, the New York Philharmonic’s tuba player, two of whose teachers were Phillips students. “Our repertory is so limited, and it would be horrible if he had not done the amount of work that he did.” Mrs. Phillips said her husband had either commissioned or inspired more than 200 solo and chamber music pieces, many wheedled out of composers by persistence or other methods. |
3 comments:
Got to give this man credit for giving the Tuba to respectability.
Harvey Phillips conceived and produced the FIVE record boxed set “A Tribute to Merle Evans: An Anthology of Circus Music” recorded in 1970 to benefit the New England Conservatory of Music where Phillips was Executive Assistant. One of the LP records was Merle Evans reminiscing and the other four contained 43 great circus selections by King, Duble, Jewell, English, Vandercook, Barnhouse, Alexander, Fillmore, Alford, and others as well as Evans himself. For its time, it was by far the greatest offering of classic circus music all selected by Merle Evans. It is still worth listening to because of its 31 high quality musicians in the band, all led by the honoree. It was a labor of love for Phillips.
Dick Flint
Baltimore
Some years back my wife & I had
the opportunity to attend an
outdoor band concert in a park
at 1 end of the grand promenade
in central Oslo made up entirely
of about 3 dozen tubas
It was truly a grand experience
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