Hi Buckles In 1976 I was hired to do N Y location special effects on the (dreadful) remake of the film "King Kong" When I got the 1st call from the production manager in California he was laughing on the phone because he said he realized how silly his explanation of what was to be done including the assembly of the 40 foot gorilla that was being trucked across the country in 5 segments must have sounded This incredible top shelf plush was built of many layers of different density foam & latex rubber covered in hand sewn horse hair by an Italian family in L A What was to be a week's work expanded into more than a month & included many other projects This lowland primate was incredibly detailed as the attached photos will show (only missing his plumbing) These were at the base of the World Trade Center I had several fellows that worked in my shop with me & we had a great time & I could tell about a week's worth of stories (but I won't)
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2 comments:
I was working in PR for AT&T at its old 195 Broadway headquarters, just across the street from World Trade Center, and we saw much of the set-up. As I recall, the actual production filming was done at night.
Yes Lane most of the filming was
done after sunset with tremendous
carbon arc (Brutes) lights running
on a fleet of enormous portable
semi mounted generators provided
by Weber Lighting with immaculate
equipment that put our show power
Cats & Jimmies to shame
More 4/0 cable than I've ever seen
Our call time was late afternoon
& we broke after sunrise each day
Aside from the twin towers we also
worked on & under the 59th Street
bridge & on the cable cars as well
as a few other street locations
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