By GLENN COLLINS NEW YORK TIMES
Published: April 22, 2009 Timothy J. Holst, who joined the Ringling Brothers and Barnum & Bailey Circus as a lowly Keystone Kops clown, rose to the role of singing ringmaster and ultimately became the show’s talent czar, died April 16 in São Paulo, Brazil, during a visit to sign up circus acts. He was 61.
He died in a hospital there after a short illness, said a circus spokesman, Stephen Payne. Mr. Holst, whose official title was vice president for talent and production, circled the planet for more than two decades signing performers from star clowns to trapeze hair-hangers. He was fluent in Spanish and Swedish and spoke passable Russian, Mandarin, French and Portuguese. He recently calculated that he had visited 164 countries. “He was the ambassador to the world for the Greatest Show on Earth,” said Kenneth Feld, Ringling’s owner and chief executive. “And for the performers, he was the one who introduced them to American society. He became involved in these families’ lives at every step of the way.” Since 1986 Mr. Holst “was responsible for the careers and livelihoods of more than 3,000 people, and since so many of them paired off, there are countless marriages to his credit, and the children that came from that,” said Nicole Feld, Mr. Feld’s daughter, the executive vice president of Feld Entertainment. William B. Hall III, an independent circus consultant and producer in Churchville, Pa., said: “It was under Tim’s watch that Ringling began making deals with Communist countries to sign performers and acts. A lot of those countries were still closed, so he was an integral part of breaking down Iron Curtain barriers for cultural exchanges.” Though Mr. Holst prided himself on his ubiquity, even he was teased by his circus peers when he turned up in the Jan. 20, 1992, issue of The New Yorker, in a “Reporter at Large” article describing an exotic trek to Mongolia. The writer, Fred C. Shapiro, quoted a Western diplomat who recalled being “welcomed in a gher near the Gobi Desert,” referring to a herdsman’s tent. The diplomat added that “we were far away from any road, and I asked the shepherd if we were the first foreigners he had ever received. ‘The second,’ he said, and he showed me a card left by the first — a scout from Ringling Brothers and Barnum & Bailey, who had been there a few months before.” Mr. Holst was born in Galesburg, Ill., on Oct. 9, 1947. His father was a letter carrier, his mother a registered nurse. “Growing up amid the cornfields of Illinois,” he once said, “I never dreamed of ever leaving the United States, let alone traveling all over the world.” Before proselytizing for the circus, Mr. Holst spent two and a half years as a missionary in Sweden for the Church of Jesus Christ of Latter-day Saints, of which he was a lifelong member. He also studied drama at Ricks College and later at Utah State University. Mr. Holst began doing stand-up comedy in college, and while performing in Butte, Mont., the future talent finder was himself discovered by a Ringling talent scout, who offered him a 1971 berth at Clown College, the Ringling school in Venice, Fla. In 1972 Mr. Holst performed as an Auguste clown, with red nose and exaggerated features, recalled Steve Smith, a 1971 classmate who years later became director of Clown College. Mr. Holst’s star turn was as the hapless flatfoot in the clown-car routine. He donned a long blue coat and an enormous police badge and blew a whistle helplessly though frenziedly as he chased a jalopy crammed full of 20 clowns around the ring. After performing with the Blue Unit, one of Ringling’s two traveling shows, Mr. Holst became a ringmaster for both units and eventually performance director of the Red Unit. Mr. Feld headed the talent-finding operation for his father, Irvin, then the circus’s owner. But he had to focus on running the company after his father died in 1984, so he groomed Mr. Holst as the new scout. After his decades on the road, Mr. Holst had in recent years been grooming Ms. Feld as a talent scout. Mr. Holst lived in the circus community of Sarasota, Fla. His two marriages ended in divorce. He is survived by his daughters Megan, of Marblehead, Mass., and Adrienne, of Dallas; a son, Matthew, also of Dallas; a brother, Thomas, of Luanda, Angola; a sister, Sandra Cordon of Salt Lake City; and a grandson. A portly man of deceptive agility, perseverance and physical strength, Mr. Holst tirelessly hefted commodious traveling bags full of gifts. “If the matriarch of a circus family needed a certain kind of fabric to make a costume,” Mr. Smith said, “Tim would carry it halfway around the world for her.”
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16 comments:
The quote in the obit from Mr. Hall is a bit misleading.
With all due respect to Tim's amazing globe-trotting and the superb acts he discovered, he was not the first Ringling scout to make deals with former Iron Curtain performers.
That wwould be the late Trolle Rhodin.
At one time hallmark of being with the Ringling Show was the prestige.
When I asked a newcomer to the show about that a few years ago, he answered, "The Insurance is good and if you last long enough, your passing will be noted in the Times!"
Thanks Jack
When I read this obit in this
morning's Times I bristled at
that same bit of misinformation
I has respect & admiration for
Tim (and had known & liked him
from the beginning) and his
vast accomplishments he did not
originate the bringing of block
country acts as mentioned
Trolle was a true "Ambassador"
and deserves much credit
As you know his family still
maintains "Cirkus Braziljack"
Chic
Chic,
I did know that the Rhodins were still in the business. Does the show tour just in Sweden?
Many, many years ago, I was on a trip to Copenhagen and, at Trolle's invitation, boarded a hydrofoil over to Malmo, Sweden. Trolle met us and took us for coffee and cakes with Ingeborg at their lovely home. (Which was adjacent to their circus winter quarters.) It was a lovely day and a memorable experience.
Again, this is taking nothing away from my dear friend Tim's multiple talents and accomplishments. But Trolle's contributions were certainly enormous.
Jack
was trolle rhodin involved with ringling when john ringling north brought in acts from behind the iron curtain in the early 60s?
some were very good but it was also the first time i had seen safety wires used by aerialists.
Henry,
Yes. I believe it was John Ringling North who hired Trolle as a talent scout. Then he worked with the Felds for a few more years after they acquired the show.
Not a great fan of mechanics myself. If the trick is too dangerous, don't do it. To me. the wires corrupt the beauty of an act. Have seen many teeterboard acts where the leaper was literally pulled by wire into a five-person high.
As I told Buckles once about a teeterboard act I'd seen, "They had more mechanics that a big Ford dealership."
Jack
Good old Trolle Rhodin. He was a great Diplomat, Business and Ladies Man. Ones at a end of year party we held in Chicago Mario Cort, who was part of the Nock Family and married to Isabella, and I did a sketch about Trolle and his Women. Irvin and Allan Blum had laughing attacks but Trolle did`n think it was that funny and the next day he called me a asshole and did`n talked to me for about a year.
He was actually the one that put together the deal with my Aunt Carola to bring the Williams show to Ringling.
Cirkus Braziljack tours primarily
in Sweden but I know that in past
years they have also played in
other Scandinavian cities as well
My wife & I were also guests at
their home in Malmo and then we
reciprocated when they would
spend seasonal time down here
Ingeborg still has the place
in Nokomis nearby Donna
I was introduced to Trolle by
Victor Gaona when his family
went over to Ringling in either
65 or 66 (I can't remember)
which is before the Feld regime
I had known (and worked on stage
shows with) Dick Barstow before
that time and remained friends
with him in (forced) retirement
but only had circus experience
on the Beatty Show prior to that
I imagine Sunday will bring
many old friends & aquaintences
together for Tim's gathering
These memorials & funerals
seem to be occuring much too
frequently
Chic
The Rhodin's are still in business touring Circus Brazil Jack. Brazil Jack is owned by Trolle Rhodin's son Trolle Rhodin JR and his wife Carmen. It is a medium-sized circus only touring Sweden
Ole Simonsen
For those of us old enough to
remember Bill & Cora Baird were
two of the world's greatest
puppeteers & marionetteers
Years ago I heard mention of
certain acts referred to as
"Baird style"
Chic
Henry S. is very correct.
Trolle had an eye for the ladies -- and always the prettiest ones in the show. Sorry I didn't see you and Mario do that sketch. Can just imagine!
Trolle was always impeccably dressed, very charming and debonair.
Think I missed something.
What does any of this have to do with the great puppeteers Bil (he spelled it with one "l") and Cora Baird?
Sorry Jack about the spelling
The reference was to the mechanics
looking like puppet strings
Chic
Trolle took my wife and I to dinner when we were at the Ringling Park in 1974. He picked up the tab with a credit card, first time I had ever seen that done.
The part I liked best was when he casually asked the waiter, "Was the tip satisfactory?" and the waiter immediately answered, "YES SIR!"
I party whom I'll not identify along with Trolle, were in Baker Brown's office in Madison Sq. Garden following the opening night party.
Kenny Feld stepped in the door and bid them all a good evening saying that he was leaving for Europe in the morning.
He added rather excitedly that he was flying on the Concorde, even going so far as to show them the tickets.
After he had left, Trolle said nonchalantly, "I have flown on it nine times."
Trolle Rhodin made history when his was the first circus from the west to play Moscow. He was associated with John Ringling North during the ill-fated Ringling European show of 1964. The result, however, was Trolle’s designation as the “General European Representative” and more “first time in America” notations in the 1965 US program than had been seen in a very long time. Trolle’s connections brought a huge influx of East European acts to America that year including Adela Smieja’s lion act, the amazing Mecners with the first Russian bar act seen in the US, the marvelous juggler Fudi, and what was to be a long series of outstanding teeterboard acts such as the Varady’s with big troupes from various countries who each tried to outdo each other well into the 1970s. Tim, who knew Swedish and had spent a couple of years as a Mormon missionary in Trolle’s native Sweden, was his direct successor.
Dick Flint
Baltimore
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