Jacki Althoff's Wonder Bears |
Wednesday, April 15, 2009
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6 comments:
I had forgotten what a great bear act looked like. This picture also shows the old light boxes that sat around the track, the spot guys were all local union guys, Red worked the lights, (he also had a scene in The Greatest Show on Earth with Betty Hutton at the train wreck.) I don't remember any other lighting other than the house lights. This was the year that they used the Blue diamonds on the Blue Unit ringcurb and Red diamonds on the Red Unit ringcurb - I think I was most impressed that the rings lit up. (I was a very impressionable child.) ~frank
The track light boxes shown
were open troughs designed by
Art that accepted cut color
in segments in front frames
These were used until I built
several sets of track lights
that had separate glass color
some of which were special pink
molded custom for the show
In the early 70s I also built
some custom sets of quartz
lights that hung on the frames
I still have some of the last
Super Troupers used on the show
if anybody wants them
Chic
The ring curb lights were very
hard to maintain as the end
mounted connectors kept getting
ripped out and the sections
were very roughly handled
mostly in the loading in & out
We had much better luck with
the recessed chaseable lights
in the Monte Carlo gold edged
upholstered top tall curb
Chic
The ever witty Bill Pruyn used the song "Wunderbar" from (I believe) "Kiss Me Kate" as one of the tunes for the act.
I never met Mr. Althoff despite the fact that he owned a place for some time less than ten miles from where we live.
Heard that once when the Ringling Show was playing the old Uline Arena in D.C. a couple of the citizens decided to lay in wait beneath the bear truck and mug Jacky as he approached from the building.
One of the few cases where the Police received an emergency call for help from the perpetrators.
The square aerial frames designed by Art Concello that had the flying act franes built in and were over the end rings. In the center was a smaller frame for the feature aerial star [Elvin BALE AT THAT TIME] But there were no lights attached to them, so each set up 1200 quartz lights would be bolted on. Quite a number of them, abd they would aLWAYS BE REFERRED TO AS "THE FELD LIGHTS". aND we had the track lights for spec, etc. I forget the elec. trish, on the blue show, but on the Red we always had Congo, plus the floor people of Dummy and Dave Mulanney. What a grooup. Lighting director was Frank Perry, Son of floss machine wizard, Whitey Perry. Frank is live and kicking in the local "stage hands"
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