Monday, March 17, 2008

Ringling-Barnum 1968 #1 (From Jerry Digney)


Ringling_Hugo1, originally uploaded by bucklesw1.


1968 was John North's last year as producer and the Felds first year as owners--everyone in Fla. was busy scrambling to build a second unit (Blue) of the circus which was to open in March 1969 and play the summer at the Houston Astro Hall, which Judge Hofheinz, the Felds' partner had built; Hugo, Jack Joyce, Harold Ronk, Charly Baumann and other RBBB mainstays went to the Blue while Bob Dover (who kinda went missing later on in the 70s) stayed with the Red unit (the original single unit show) as performance director, assisted by Dean Murray, I believe--

Here are shots of the '68 elephant number, "Carnaby Street," which featured 16 bulls in three rings.

London, flower power, Twiggy and all the rest were in full bloom, thus the theme--notice the elephants all had flowers painted on them--wonder whose job that was every day?!

This was a terrific number--Hugo's acts always worked fast and did all the expected tricks and then some--looks like he had a punk in his act for '68.

When Gunther arrived in '68 for the Red show, the RBBB herd suddenly doubled (it tripled to 35(???) when we opened Circus World in Haines City and Buckles took possession of the recently defunct Billy Smarts circus herd which Feld bought in '73) and while both Hugo and Gunther were German their styles were quite different;

Hugo was no fan of publicity--Gunther loved it, even early on when his English wasn't so good.


Jerry Digney
Solters & Digney
Public Relations & Internet Marketing
1680 N. Vine Street
Suite 1105
Hollywood, CA 90028

9 comments:

Anonymous said...

Mr. Digney,
I can only assume at who's job it was to paint the flowers on the elephants, but I am sure Rex Williams was the first to actually start the practice, not that it is really important. In a blog poste dated 11/24/05 is a picture of Rex's elephants in Hawaii, in 61-62 with chalked on flowers. It is important not to burn history, as it makes for easy reference, and keeps the "tell" from twisting left and right, so that future archeologists have to "guess" at fact.
Wade Burck

Buckles said...

I posted Mr. Digney's pictures in the order received and if I had been on the ball, I would have noticed that this one should have been placed #6 since it shows the prop crew removing "Kernaudi's" hind leg walk ramp.

I saw the show this year in Denver and asked Axel the same question about the flowers and as I recall he said that it was taken care of by the wardrobe department. They had a large stencil and a spray gun which they used to touch them up as needed.

Anonymous said...

I remember seeing Rex draw these designs on the Norma Davenport elephants when he had them on Tom Packs dates in the mid 1950s.

Anonymous said...

I always wondered why Hugo, with his continental personality and fine taste in attire and head gear, didn't have a side business as a bespoke tailor and hatter.

With measuring tape and gentle manner, "Sir, I must take your inside leg."

Eric said...

The score for the “Carnaby Street” elephant number was the only production number music from 1968 to remain completely unchanged when the Blue Unit went out in 1969. (It was also billed as the 99th Edition, even though the Red Unit was the actual 99th Edition.) The musical score included such 1960s hits as "Georgie Girl," "Let’s Spend Some Time Together," "Music to Watch Girls By," "I’m a Brass Band" (from the musical "Sweet Charity") and "Step to the Rear (from the musical "How Now, Dow Jones.") "Entry of the Gladiators" and "Tiger Rag." were also included. (If enough elephants could be located, this same number could be revived intact today as a “Swinging 60s” nostalgia piece!)

Eric said...

Regarding Gunther and publicity. In 1968, when the Ringling show was in San Diego, Gunther flew over from Germany to look over the show and see how Ringling treated and cared for their animals. (The Felds had not yet signed him, but were about to get his name on a contract.) Local TV newsman Jack White (who is also a circus fan and a talented magician) was able to set up an interview with him. As Gunther walked through the door, Irvin turned to Jack and said, “Good luck with the interview. He understands a little English but doesn’t speak it. How’s your German?” Then, with a big grin on his face, Feld lit up one of his tiny cigars and walked out of the room. This was Gunther’s very first media interview in America.

Anonymous said...

Eric,
That Irvin Feld story need's to be recorded in the book, "Irvin Feld, What Was That Nut Thinking", that "experts" have been trying to write for years.
Wade Burck

Anonymous said...

This business of which year, which unit and which edition was confusing the first few Feld years.

I THINK this is the way it worked. In 1968 there was one unit which was called the 98th.

In 1969 there were two units- The Blue one with the old timers Buckles mentioned above and the Red one with GGW. Both these were called the 99th edition.

In 1970 the Red unit was simply billed as the "1970 Edition" whereas the Blue moved up to being the 100th.

Then after that the custom started where the Red unit would be new in Odd years (like 1971) and go by an odd edition number (101st) and the Blue unit would be a new show in Even years (like 1972) and go by an even number edition (102nd).

Somebody please jump in if I'm missing something.

Anonymous said...

My wife was looking over my shoulder at this photo and remembered that our first date was this show. I brought her through the backdoor of the STL Arena and sat in the good seats like I belonged there. (Yes Wade, it was a cheap date and she is worth the price of a ticket and even a snow cone.)

I wonder if if I would impress her with a first date at the 2008 ringless edition?