The Changing of the Guard Elephant Finale with the British marching music and the busbie black hats. the performers were doing "Cherry Pie" in those days, the men loading all the dressing tops trunks. We loaded the mens first and let the girls have the privacy of the side wall a few minutes to freshen up, having just come in from the elephant number. There was no place in the privacy in the married couple and girls car to do that, only two sinks on each end of the coach open without privacy. We "Cherry Pie'ers" then rolled up the side wall and the dressing tent top, but fortunatly the trucks loaded the canvas. This was done every nite, rain or shine, so we all carried our boots and rubber rain coats and hats, back and forth from the train to the lot. My trunk loading partner was Joe Geiger, one of the original Wallendas, later married to Margie Geiger. "Those were the days, my friend, we thought they'd never end" but they did, Jackie LeClaire |
Tuesday, July 13, 2010
Changing of the Guard (From Jackie LeClair)
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7/13/2010 06:42:00 AM
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2 comments:
The elephant number for Ringling-Barnum's 112th Edition (which played San Diego in 1982) was titled “Elephant Highland Fling” and featured wardrobe and music that might have been inspired by Robert Ringling’s “Changing of the Guard” elephant number. Bill Pruyn’s music score for this number opened with selections from Lerner and Loewe’s BRIGADOON. When the elephants made their entrance, it was to THE KILTIES MARCH, which in turn was based on famous Scottish folk songs. Other music included lively arrangements of THE BLUE BELLS OF SCOTLAND, THE CAMPBELLS ARE COMING, ROAMIN’ IN THE GLOAMIN’, COMIN’ THRO’ THE RYE, ANNIE LAURIE, LOCH LOMOND and some additional numbers from BRIGADOON. (Some of these might also have been played for the “Changing of the Guard” number.)
I could probably hum all the tunes to the Changing of the Guard, but do not know the names of any of them. I remember only them playing a bit of Hail Britania. This was quite a long number. Sounds like Bill Pruyn was certainly inspired by this number. Jackie LeClaire
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