From Chris Berry This lithograph features artwork by the famed avant garde artist E. McKnight Kauffer and is the final in a series produced by the studios of Norman Bel Geddes and printed by the McCandlish Litho Corp of Philadelphia. "The Ballet of the Elephants" was written for the 1942 season by classical composer Igor Stravinsky at the request of George Balanchine - America's premiere ballet choreographer. The act featured "Fifty Elephants and Fifty Beautiful Girls in an Original Choreographic Tour de Force. Featuring MODOC, premiere ballerina, the Corps de Ballet and Corps des Elephants". While the "elephant ballet" may have been a bit too high-brow for the circus-going public, this particular poster is sought-after because of the Kauffer design and the billing which mentions the collaboration of Stravinsky, Balanchine, Bel Geddes and John Murray Anderson. Ironically, the Stravinsky score was only played by Merle Evans and the band during the first two months of the season. While the show was in Philadelphia in early June the musicians union called a strike after John Ringling North refused to give band members a $2.50 a week raise. For the rest of the season the show - including the elephant ballet - relied on recordings of circus music instead of a live band. It is also worth noting that during a performance in Cleveland in August of that year a deliberately set fire swept through the menagerie top killing four elephants along with a number of other animals. |
4 comments:
I have seen the score and played Circus Polka it is hard.
The classical music world is still trying to understand Stravinsky's Elephant Polka. This quote is from Eric White's biogtraphy of Stravinsky:
"The first time Merle Evans, veteran bandmaster of the Big Show, put the music up on his rack and started tooting away on his cornet, he knew there was trouble ahead.... Polite, as elephants always are, the big performers listened to the circus band, as it played their working music through. They listened, but with growing distaste and uneasiness, according to both the bandmaster and the superintendent of bulls.... Aside from the dancing of Old Modoc [“the best loved and most widely known elephant”] in center ring, the circus place of honor, “Display No. 18” was not a pretty act. The ballet skirts made the bulls appear ridiculous. The music didn’t suit them. Elephants are dignified animals. They respond instantly to waltz tunes and soft, dreamy music, even to some military numbers of a particularly circusy tempo. The involved music of Stravinsky’s “Elephant Ballet” was both confusing and frightening to them."
Don Covington
Do you have any idea where I could find a print of this?
Shameless commerce division: I hope you'll all take a look at my nonfiction picture book about this event, BALLET OF THE ELEPHANTS, published by Roaring Brook, illustrated by Robert Andrew Parker.
Thanks!
Leda Schubert
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