Imagine any traveling circus going out today and selling local ad space as has been seen in the Sarasota booklets. It's testimony to community involvement and the importance of the circus payroll, purchasing power and employee residency and constituency. It's unlikely that any show or quarters ever achieved the profile and brand of RBBB in Sarasota.
If you want to read another chapter about great and mutually beneficial circus-community relations, check out the coverage of Charles Sparks and Macon, Georgia in Greg Renoff's interesting book, "The Big Tent, The Traveling Circus in Georgia 1820-1930." It's worth buying and reading.
2 comments:
Brooks had primarily been the
leading uniform company in the US
I was told that it started with
show costumes for RBBB and became
the most respected theatrical
costumer for Broadway for years
It bought Van Horn the Philly
costume company and became Brooks
Van Horn long before the Eaves
Costume Company took it over to
become Eaves-Brooks then years
later the Dodgers (still a major
Broadway producing & management
company) bought the whole shebang
and renamed it Dodger Costumes
for the few years before it all
went down the old sinkhole
All that heritage is gone
Imagine any traveling circus going out today and selling local ad space as has been seen in the Sarasota booklets. It's testimony to community involvement and the importance of the circus payroll, purchasing power and employee residency and constituency. It's unlikely that any show or quarters ever achieved the profile and brand of RBBB in Sarasota.
If you want to read another chapter about great and mutually beneficial circus-community relations, check out the coverage of Charles Sparks and Macon, Georgia in Greg Renoff's interesting book, "The Big Tent, The Traveling Circus in Georgia 1820-1930." It's worth buying and reading.
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