Had lunch last Thursday with Bill Powell. He stopped by on his way to Sarasota with a van full of his mother's extensive collection to be donated to the Ringling Museum. |
Sunday, March 15, 2009
Gee Gee's albums. #1
Posted by Buckles at 3/15/2009 06:45:00 AM
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10 comments:
I'm trying to remember the last time I saw an aerial bar act, they were great audience favorites.
You would think a dozen or so college athletes could be had to frame an assortment of these and other type acts long for gotten and give the Chinese a break.
I can see the billing now, The Greatest Show on Earth, after 35 years positively NO WHEELS, NO GLOBES.
Buckles,
I should think if you could find a way to pay them more then what they could make at pizza hut or Quisnos, they probably could be "had".
Wade Burck
The Beatty show had a terrific
aerial bar act in the late 70s
or early 80s the Rodriguez Troupe
The Gaona family had done a bar
act before they started flying
But I never saw it
Chic
buckles -- everytime i even read a line-up of most circuses, i ask the same question. the different circque shows have built up some flashy acts using college gymnasts that have helped make those shows so successful -- if they can do it, why can't the other shows try it and give us a break from hula hoops? i know i'm old but i honestly believe one big cause of the attendance problem is the performance offered so often these days. ading a few performers at a reasonable salary might be part of a solution. as you said, some of the chinese and south american acts could be dropped, or, if they are so cheap, just used to fill in. in the 50s and 60s, even the smallest mud shows often offered better performances that some of the "major" shows today. most even had acts that had "finish" tricks instead of doing something and just styling and leaving the ring. cirque producers have said they can spend more on performers because of the lack of animals, but how many of today's mud shows have any kind of animals other than dogs, kitty cats or ponies and a an occasional manege horse? cirque was talking about cat acts and big elephant acts -- you rarely see cats on a mud show any more and three elephants are usually tops. there should be a way most shows could add a little money to the performance budget, offer a decent cookhouse and sleepers.
the gaonas had a casting act on beatty-cole before flying which was far superior in enetertainment value to most acts today. (they even had costumes that didn't come from thrift stores) victor gaona could have trained four or five gymnasts well enough that they could have put on a show by themselves -- and the crowds would have loved it. all of the victor gaona family acts were superb. why aren't they in the hall of fame?
Henry,
"some of the chinese and south american acts could be dropped, or, if they are so cheap, just used to fill in." They are not "cheap" per se, asking for less. They are having to accept what is available. They are surviving. That is the shame.
Wade Burck
Didn't John Hartzell do an aerial bar act? Or maybe it was his sons who did one.
~frank
It is good to remember the great bar acts featuring Uncle George Hubler, who referred to "working the hoe handles". We recall George's sense of humor, but maybe someone can describe the materials and rigging for bar acts.
For our last big Easter Show, at Jungleland, in '69, Bob Yerkes brought in a pair of young guys with a hell of a bar act, and I believe, in line with Henry Edgar's thoughts, they were college talent.
Frank:
Johnny Hartzell had a three bar horizontal bar act over a trampoline, not very high.
anonymous:
Go to "Yesterday' Towns" & type "Three Bars" into the search bar at the top of the page. I think you'll find a bit of bar act history.
That was me again,as Anonymous, tapping the wrong key before I could sign on.
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