Tuesday, April 15, 2008

Tribute to Charlton Heston #1 (From Jerry Digney)


GSOE_PROGRAM, originally uploaded by bucklesw1.

With the recent passing of Charlton Heston, the last living star of DeMille's "Greatest Show on Earth," good time to reflect on what a history making endeavor this was; at a cost of $4 million, the movie has grossed over $36 million to date and won two Oscars;



About 10+ years ago, I wrote an in depth feature article on the making of the movie for BANDWAGON. It was a great opportunity to access the DeMille family archives as well as a treasure trove of material at the Motion Picture Academy library. Along with access to actress Dorothy Lamour and Charlton Heston, I also spoke with others like Doug Morris (who was then living near me in L.A.), who was the lighting supervisor on the GSOE in the early 1950s--he told me that by the early 50s, the show had a fairly elaborate lighting system but because the film cameras required so much more light, DeMille's crew brought in a bunch of extra light towers and generators to further illuminate an already "radiant" production--radiant because Miles White was designing all the beautiful costumes and floats and Morris was lighting the show, even then introducing colored gels for certain presentations in the rings and on the track.



Many of the location shots were done during a long run in Philadelphia--for anyone curious as to how the BIG SHOW looked under canvas, this movie is probably the best ever record in color of what the circus presentation looked like in all its sprawling, sawdust splendor.

2 comments:

Harry Kingston said...

Jerry,
Many thanks for you remembering Charlton Heston on this blog with all those photos and your excellent thought's.
This is my favorite film of all time and I try to watch it every time it is on TCM.
Many fans do not realize that not only are they seeing the best circus movie ever and seeing it as close to life as you can get.
The reason that it was shot in glorious Technicolor. Also Three Ring Circus was shot in Technicolor and Paramounts VistaVision, with the film going through the camera horizontal and the frame looked like a regular 35mm camera frame.
I read somewhere that DeMille went to Technicolor and try to get a faster speed film to photograph Greatest Show.
If you fans will notice Ring of Fear does not have the color that Greatest show does. It is good but not like Greatest show as this was the new Eastman color film named Warner Color just did not have the color saturation Technicolor had.
Jerry, when Jimmy Stewart came to my town and I worked for a tv station and I got to talk to him on Greatest show. What a wonderful person he was and he signed my 1 sheet poster on the film.
If Greatest Show had been filmed in another process like Eastman color back then that fades or Ansco it would not have looked like it does today.
Every time I watch an old Technicolor movie on TCM in my mind I say thank you Dr. Kalmus for inventing the Technicolor process.
Harry

Roger Smith said...

I still have the copy of this promo book I got as a boy. Thanks to all I inherited from Leonard Farley, I also have one in mint condition.