Thursday, July 19, 2007

From Buckles


Scan10078, originally uploaded by bucklesw1.

I remember reading an article in Bandwagon about the "Fighting the Flames" phenomenon. The nation seemed to be captivated by the heroics done by their Fire Fighting Brigades.
My father in law Ruben Ray once described an incident in Duluth in the dead of winter when a fire broke out downtown and he witnessed a fire engine coming to the rescue, careening down an incline, black smoke from the boiler, horses at full gallop, sparks flying from their hooves, the wagon sliding on the ice, the firemen in red tunics, the Dalmation dog barking. What a show!
The article stated that the reenactment of those events began at Amusement Parks and was so successful that several of the larger circuses produced the number.
Above is the interior of the1906 4-Paw & Sells big top. The black object in the center is the shroud for the statuary act also seen is, gentleman principal rider, William Wallett Sr., the rigging for the somersalting automobile and the set piece for "Fighting the Flames" at right.
No idea how the routine went but it's safe to assume the fire department thundered around the track to rescue people trapped within. I suppose leaps from fiery windows to a hand held net would be the blow off. I'm surprised they didn't manage to burn the whole show down.

From Richard Flint


Fighting the Flames was the opening display of the show. It began with a depiction of “A Great Metropolis, throbbing with…the Street Life of a Great Commercial Center. A fete-day Procession Comes down the Street [and] During the fete-day tournament a great exhibition of living statuary is presented by the nine celebrated members of the Stirk Family [Buckles has noted the black shroud that would be lowered and raised for each change]…Suddenly…the cry of Fire is Raised and Flames are seen Bursting from the Upper Windows of a Hotel…Then follows a Thrilling Battle of Fire and Water, Brave Rescues…in Life nets, and the Great Triumph over Flames.” This was promptly followed by the elephant acts of William Duncan (working some sort of comedy routine according to the Billboard review) and Art Johnson in the end rings and J.H. Patterson in the center. Interestingly, I have two copies of the 1907 program yet only one mentions the somersaulting auto. While the newspaper ad shown in this series features the act, it was not mentioned in the May 4 Billboard review, nor mentioned in the courier booklet I posted to the blog, and neither is it listed in my copy of the program listing for the July 12-16 dates. (For those not familiar with programs of this era, the illustrated souvenir “magazine and daily review” booklet contained a plain insert loosely laid in with the program listing and local ads for several days of engagements.) The auto act is listed in my second copy of the program for Aug 3-7. The somersaulting auto was the closing act in the afternoon but in the evening was placed after the elephants between displays 2 and 3. It was a lot of heavy metal to dismantle and load.
Dick Flint
Baltimore



5 comments:

Anonymous said...

They should have recreated FIGHTING THE FLAMES for the current Blue Unit, start the fire but don't call the fire brigade and let the whole damn thing burn to a crisp. Would have saved many audience members a whole lot of aggravation.

I shudder to think what the creative mind-less team is going to throw together for next year.

I use to enjoy RBBB, now I need a sedative upon entering the building to steady my frought with fear nerves.

Anonymous said...

could this act done with serious intent evolved into the firehouse gag that became a classic for the clown alley?

Buckles said...

Odd that you should ask that.
While typing my remarks, the thought crossed my mind that the last party to jump out the window should be a clown holding the TV set.

Pat Cashin said...

Yes, from these pictures and stories it would seem that Jim Rutherford must have initially introduced The Firehouse Gag as a parody of the Fighting the Flames-type show.

~P

Anonymous said...

Dog and pony shows, including Gentry and Norris & Rowe, presented parodies of the fighting the flames activity before 1910. Dogs and monkeys manned the equipment and were the subject of "rescues." The firehouse clown gag seems to have originated on RBBB in the 1920s [circa 1922--collectors check your programs], complete with a couple different sets of miniature fire trucks driven by errant clowns. Several still exist, on loan at Baraboo. The gag was presumably discontinued following the 1944 fire [seen in photos as late as 1937]and not re-introduced until later. Some fire shows didn't employ actuial fire, but the illusion of fire, not unlike some acts today.

In the history of the American circus, there have been less than ten big top fires, and only one of those resulted in loss of life. Consider that fact in the context of there being as many as 100 tent shows on tour in a single season, with 200 or more play days per season. The risk must have been assessed as relatively low. It was an era when gas and oil lights were being used for house illumination, and open candles on Christmas trees. Parrafin-coated canvas burns readily only in certain climatic conditions. Check the books on the 1944 fire if you want to read about the flame tests. There's no doubt that flame-retardant chemicals were an improvement. Johns-Manville made them before WWII, but why all circuses didn't commit to a changeover is unclear. "Tradition" has always been big at the circus.